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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Indian roller, Gujarat The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised. The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)

    Indian roller, Gujarat

    The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised.

    The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)
  • Image 2 Parinda (transl. Bird) is a 1989 Indian Hindi-language crime thriller film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor. Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
    Parinda (transl. Bird) is a 1989 Indian Hindi-language crime thriller film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor.
    Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
  • Image 3 Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles. Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)

    Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles.

    Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)
  • Image 4 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 5 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 6 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
  • Image 7 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 8 Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance. In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
    Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance.

    In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
  • Image 9 A stallion The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait. The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)

    A stallion

    The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait.

    The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)
  • Image 10 Cyclone 04B at peak intensity near landfall The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day. The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)

    Cyclone 04B at peak intensity near landfall

    The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day.

    The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)
  • Image 11 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 12 Sholay (Hindustani: [ˈʃoːleː] ⓘ, transl. 'Embers') is a 1975 Indian epic action-adventure film directed by Ramesh Sippy, produced by his father G. P. Sippy, and written by Salim–Javed. The film is about two criminals, Veeru (Dharmendra) and Jai (Amitabh Bachchan), hired by a retired police officer (Sanjeev Kumar) to capture the ruthless dacoit Gabbar Singh (Amjad Khan). Hema Malini and Jaya Bhaduri also star, as Veeru and Jai's love interests, Basanti and Radha, respectively. The music was composed by R D Burman. The film was shot in the rocky terrain of Ramanagara, in the southern state of Karnataka, over a span of two and a half years, beginning in October 1973. After the Central Board of Film Certification mandated the removal of several violent scenes, Sholay was released as a 198-minute long film. In 1990, the original director's cut of 204 minutes became available on home media. When first released, Sholay received negative critical reviews and a tepid commercial response, but favourable word-of-mouth publicity helped it to become a box office success. It broke records for continuous showings in many theatres across India, and ran for more than five years at Mumbai's Minerva theatre. The film was also an overseas success in the Soviet Union. It was the highest-grossing Indian film ever at the time, and was the highest-grossing film in India up until Hum Aapke Hain Koun..! (1994). By numerous accounts, Sholay remains one of the highest-grossing Indian films of all time, adjusted for inflation. (Full article...)
    Sholay (Hindustani: [ˈʃoːleː] ⓘ, transl. 'Embers') is a 1975 Indian epic action-adventure film directed by Ramesh Sippy, produced by his father G. P. Sippy, and written by Salim–Javed. The film is about two criminals, Veeru (Dharmendra) and Jai (Amitabh Bachchan), hired by a retired police officer (Sanjeev Kumar) to capture the ruthless dacoit Gabbar Singh (Amjad Khan). Hema Malini and Jaya Bhaduri also star, as Veeru and Jai's love interests, Basanti and Radha, respectively. The music was composed by R D Burman.

    The film was shot in the rocky terrain of Ramanagara, in the southern state of Karnataka, over a span of two and a half years, beginning in October 1973. After the Central Board of Film Certification mandated the removal of several violent scenes, Sholay was released as a 198-minute long film. In 1990, the original director's cut of 204 minutes became available on home media. When first released, Sholay received negative critical reviews and a tepid commercial response, but favourable word-of-mouth publicity helped it to become a box office success. It broke records for continuous showings in many theatres across India, and ran for more than five years at Mumbai's Minerva theatre. The film was also an overseas success in the Soviet Union. It was the highest-grossing Indian film ever at the time, and was the highest-grossing film in India up until Hum Aapke Hain Koun..! (1994). By numerous accounts, Sholay remains one of the highest-grossing Indian films of all time, adjusted for inflation. (Full article...)
  • Image 13 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 14 Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha. Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
    Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha.

    Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
  • Image 15 Nanakramguda skyline Hyderabad is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India. The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states until 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)

    Nanakramguda skyline

    Hyderabad is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India.

    The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states until 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)
  • Image 16 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Pillaiyar, and Lambodara, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)

    Basohli miniature, c. 1730. National Museum, New Delhi

    Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Pillaiyar, and Lambodara, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 17 Andha Naal (pronounced [an̪da naːɭ] transl. That Day) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect. Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)
    Andha Naal (pronounced [an̪da naːɭ] transl. That Day) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect.

    Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)
  • Image 18 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)

    Ahalya by Raja Ravi Varma (1848–1906)

    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 19 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script. When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script.

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
  • Image 20 Jinnah in 1945 Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death. Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)

    Jinnah in 1945

    Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death.

    Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)
  • Image 21 Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
    Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family.

    The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
  • Image 22 Core Western Ganga Territory Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 999 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district. After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)

    Core Western Ganga Territory

    Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 999 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district.

    After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)
  • Image 23 Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
    Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital

    Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
  • Image 24 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 25 Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor. Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
    Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor.

    Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
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Five people are killed and at least one other is critically injured when a private Maharashtra State Road Transport Corporation bus collides head-on with two vehicles on the Khamgaon-Shegaon highway in Buldhana, Maharashtra, India. (News18 India)
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Social media company X files a lawsuit against the government of India alleging that the Indian government is censoring the social media platform along with other information. (DW)
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A curfew is imposed in parts of Nagpur in Maharashtra, India, after Hindu groups demanded the removal of the tomb of Aurangzeb, a 17th-century Mughal emperor, sparking violence. (BBC News)
9 March 2025 –
In international cricket, India wins the 2025 ICC Champions Trophy by defeating New Zealand in the final. (AP)
7 March 2025 – 2025 United States federal mass layoffs
The Native American Rights Fund, on behalf of five Indigenous American students and three tribes, the Cheyenne and Arapaho Tribes, the Prairie Band Potawatomi Nation, and the Pueblo of Isleta, file a lawsuit against the United States Department of the Interior and the Bureau of Indian Education (BIE) for alleged wrongful dismissals of BIE schoolteachers. (AP)

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